Ardbeg 1972 DL The Old Malt Cask
| 카테고리 | SINGLE MALT |
| 증류소 | Ardbeg |
| 병입자 | Douglas Laing (DL) |
| 병입자 시리즈 | - |
| 빈티지 | 1972 |
| 병입 연도 | 2000 |
| 숙성 | 28년 |
| 캐스크 타입 | - |
| 캐스크 넘버 | - |
| 발매 수량 | - |
| 도수 | 48.8% |
| 용량 | 700 ml |
| 레이블 | - |
| 국가 | Scotland |
| 지역 | Islay |
향미 프로필
테이스팅 노트
색상
straw
air 아로마 (코)
ah, this is clearly different now, starting on the same notes of metal polish as the 1966, only much bolder and even dominant. Something yoghurty as well for a while… Then it starts to smell just like over-grilled beef, with also a little mint and fresh parsley. Very unusual and maybe not too enjoyable I’m afraid, even if all that settles down after quite some time and gets more classical (quite some lemon). But there’s always these notes of metal polish, and even iron and motor oil (old car’s engine)
restaurant 맛 (팔레트)
much better now, fruitier, more on fresh orange juice, peat and pepper. Loads of pepper actually… Even wasabi! Then it’s these slightly metallic notes that strike back, the whole getting a little cardboardy. Lots of oomph, though, more than with all previous ones, which proves that twist caps work beautifully. It gets better and better with time but not enough to compensate the rather weird nose
timer 피니시
it’s the longest of the four and maybe the wildest (quite some salt in this one) but it’s a little harsh (and too metallic) again now. But it’s good and very interesting whisky. 85 points .The oldest won, it was probably the freshest, at 46yo! And this is very good news. MUSIC – Recommended listening: this is very "wow", it's Andrew Bird and his Oh so insistent.mp3 (from his 1997 album 'Music of Hair'). Let's quote Mr Bird: 'It is sort of a relic from the time before I got my conceptual shit together'.”This guy's a genius, you should buy his music... June 27, 2007 CONCERT REVIEW by Nick Morgan GRINDERMAN, SUICIDE, SEASICK STEVE The Forum, Kentish Town, London, June 20th 2007 The term ‘Special Guest’ is one that needs to be taken with a big pinch of salt when it comes to many gigs, but not, I have to say, tonight’s. Whether by design or coincidence we have two Mojo Awards winners on stage before the main event. Whiskyfun favourite Seasick Steve begins his set in typical style by strolling through the still half-empty stalls playing bottleneck on his bashed up acoustic guitar before climbing to the stage. It doesn’t feel like quite the venue for him but he makes a fair fist of enchanting those who are prepared to pull themselves away from the bar or noisy idle chatter. He’s won, by the way, ‘Breakthrough Act of the Year’, and well worthy of it he is. Following him on stage are New York’s controversial synth and vocals duo Suicide , who’ve snatched the ‘Innovation in Sound’ award. Controversial? Well, not really. It’s just that they seem to have had a polarising effect on audiences ever since they started in 1970, and tonight is no exception. They are of course much admired and cited as inspirational by bands as diverse as the Chemical Brothers and Nick Cave’s Bad Seeds, but I guess that doesn’t mean that people have to like them. There is a kind of compulsion about the keyboard playing, Martin Rev finding bass notes lower than you might have thought existed. And to gi
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