Dunglass 05-year-old Pure Malt
| 카테고리 | SINGLE MALT |
| 증류소 | Littlemill |
| 병입자 | Distillery Bottling |
| 병입자 시리즈 | Pure Malt |
| 빈티지 | - |
| 병입 연도 | - |
| 숙성 | 5년 |
| 캐스크 타입 | - |
| 캐스크 넘버 | - |
| 발매 수량 | - |
| 도수 | 43.0% |
| 용량 | 2000 ml |
| 레이블 | - |
| 국가 | Scotland |
| 지역 | Lowlands |
향미 프로필
테이스팅 노트
색상
light gold
air 아로마 (코)
quite similar to the previous one… and to the one before. Kind of a mix of both: some nice sherry but not too much, some ‘weird’ tropical fruits like longans but not too many… Very nice, even if again, it’s not monstrously complex
restaurant 맛 (팔레트)
ouch, again it’s extremely bold and powerful. Re-ouch! Lots of liquorice and, yes, dried longans. Okay, rather than ad some water that could kill it, let’s just drink a little water before each sip. Try that when you’re heavy a very strong whisky and you don’t want to take the risk to kill it with water, it works! Some dried banana, Stroh 80 (you know, that strange Austrian rum)… The finish is very long but burning. Okay, let’s sum things up: ouch! 80 points . MUSIC - Recommended listening - Brazilian multi-instrumentalist Hermeto Pascoal 'The Sorcerer' is a pure genius. Whether playing the piano or blowing a teapot (yes), he is the Soul of Brazil. Mesmerizing! Listen for instance to Viva Jackson do Pandeiro or Chorinho MEC (both mp3) and you'll see what I mean. And oh, by the way, I'll tell you about Benjamin Velle in the coming days - one of the most skilful 'Brazilian' guitarist I've heard within the last years. January 18, 2005 CONCERT REVIEW DR JOHN at The Barbican, London Tuesday January 11th 2005 by Nick Morgan It takes something (a charmed life perhaps?) to survive childhood illness, a shooting injury to the hand, long term addiction to Class A narcotics, two years imprisonment in a State Penitentiary, sessions with artistes as diverse as Little Richard, Phil Spector, Frank Zappa and the Rolling Stones, and an appearance in an advert for Southern Conmfort. But Mac Rebennack, aka Dr John , aka The Night Tripper has managed all of this and pursued a solo career for over thirty years with a chain of somewhat erratic and diverse albums, and a heavy touring program. His last few visits to London have been in the company of an irresistibly funky band but tonight he’s solo, and for the most part devoid of the Voodoo paraphernalia that normally bedecks his piano. Maybe this is because the management of the Barbican objected to (plastic?) skulls and Ju Ju beads being hung from their Steinway, or that they were concerned about the sensibilities of their elderly and ge
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