Cragganmore 1973 GM Connoisseurs Choice
| 카테고리 | SINGLE MALT |
| 증류소 | Cragganmore |
| 병입자 | Gordon & MacPhail (GM) |
| 병입자 시리즈 | Connoisseurs Choice |
| 빈티지 | 1973 |
| 병입 연도 | - |
| 숙성 | 16년 |
| 캐스크 타입 | - |
| 캐스크 넘버 | - |
| 발매 수량 | - |
| 도수 | 40.0% |
| 용량 | 750 ml |
| 레이블 | Brown label |
| 국가 | Scotland |
| 지역 | Speyside |
Brown label
향미 프로필
테이스팅 노트
잔에 코를 대면 크라겐모어 1973의 잘 익은 과일과 맥아, 가벼운 견과가 또렷하게 전해진다. 1973년 증류한 올드 스타일 원액으로 40도의 도수에 맞춰 팰럿은 부드럽고 둥글게 흐른다. 사과와 꿀, 보리 단맛이 또렷하게 발전하며 오래된 보틀링 특유의 깊이가 명확하다. 피니시는 중간 길이로 맥아와 가벼운 오크가 깔끔하게 정리된다. 스페이사이드 클래식의 밸런스가 안정적인 한 잔이다.
AI테이스팅 노트
색상
straw
air 아로마 (코)
wowie, it’s in the same vein again, with maybe just added notes of coffee but that may well come from the very high alcohol. And also hyper-huge notes of hops, beer, wet wool… But water is needed again of course: well, it got grassier and rougher, maybe sort of ‘duller’, but also really on soaked barley and even more on all sorts of wet mammals (c’mon!) Definitely from the country
restaurant 맛 (팔레트)
right, this is really too strong, even if we get nice notes of stone fruit eau-de-vie (kirsch, various plums and, above all, rowan tree). With water: very, very close to the 11yo from Cadenhead’s. The same whisky actually, no need to repeat my silly comments – but my rating: 90 points . (thanks again, Nikos). PETE McPEAT AND JACK WASHBACK in Saint-Tropez MUSIC – Recommended listening: the people at Mulatta Records really know how to pick their artists! This time it's Eleven piece Pan-African band Mandeng Eletrik who are playing Yalayala.mp3 . Entrancing. Please buy their music (reminds me of the XLNT Jephté Guillaume ) August 24, 2007 CONCERT REVIEW - This excellent piece by an undercover reviewer signing himself (or herself?) “The Keefster” was found in our inbox last night… THE REVERB SYNDICATE at Dancing in the Streets , fundraiser for Ottawa Regional Cancer Foundation, August 19, 2007 Ottawa loves music outdoors. There’s the Bluesfest (Van Morrison, George Thorogood, White Stripes, Steve Miller etc.) - OK maybe our definition of the blues is as liberal as our marriage laws; then the Jazz Fest (John McLaughlin, Conga Kings, and more), then the Folk Festival (Buffy Sainte Marie, Arrogant Worms, Kristofferson, and on, and on) and for those rainy days, the Chamber Music Festival. Then a whole pile of free one-offs. Tonight, it’s Ashley MacIsaac – enfant horrible (pire que terrible) du cap Breton – and the stage is right at the end of my street, so why not walk down and listen as the savage fiddler tortures the neighbours? There’ll be complaints in Monday’s paper from the same people who bitched when Bob Dylan – yup the real Robert Zimmerman one – kept them up until 10:30 on a work night singing songs practically under their windows as they tried to drift off to sleep. Arriving a few hours early – hey why not grab an Americano on the street – the sounds of Jaguar twang bars and Fender Super Reverbs draw me down to a campy (can you still be camp?) quartet of neo-Ventu