Highland Park 1992 SMWS 4.90 Smoky bacon crisps and ruined castles

CategorySINGLE MALT
DistilleryHighland Park
BottlerThe Scotch Malt Whisky Society (SMWS)
Bottling Series-
Vintage1992
Bottled Year2003
Age10년
Cask Type-
Cask Number-
Bottles Released-
ABV63.0%
Volume700 ml
Label-
CountryScotland
RegionIslands
Highland Park 1992 SMWS 4.90  Smoky bacon crisps and ruined castles
클릭하여 확대

Flavor Profile

Smoky
Peaty
Oaky
Sweet
Fruity
Creamy
Vanilla
Maritime
Dried Fruit
Spicy
Honey
Citrus
Herbal
Floral
Nutty
Chocolate

Tasting Notes

Colour

amber

air Nose

oh no! I mean, yes! It’s a whole, it’s not a collection of aromas, just like the greatest wines. It’s actually hard to break it down into descriptors, but I could try. What’s striking me first is the earthiness that’s in this. Imagine you’re wandering in a long-forgotten mine or something… or a cave. There’s a mustiness, some saltpetre for sure, some mushrooms… Then you’re in an old garage, full of old cars (I could quote prestige makers but I won’t – or maybe Delahaye?), with scents of old leather, Bakelite, natural rubber, cardboard, used oil, concrete… Wait, how much time do we have? Yeah, so I’ll only add beeswax, old chartreuse and dried figs. There

restaurant Palate

is there a language for this? Semantics? A vocabulary? Shall we even dare commenting on this? First, once again, it’s a whole. It’s not a jigsaw, it’s a Turner. Listen, I may have tried ten whiskies that were as ‘high’ as this in my whole tasting life, or maybe even less, and each and every time I couldn’t not think of Duke Ellington. That must be some kind of disease. The great Dave Broom has just written, in a great article in Whisky Advocate about the Islay Jazz Festival, that yours truly ‘can’t listen to jazz and taste whisky’. That is true. Because jazz already is in the greatest whiskies. And in this one there’s Duke Ellington. Oh and the whole Duke Ellington Orchestra, with Juan Tizol and all those guys. Oh hell, please call the Anti-Maltoporn Brigade before it’s too late

timer Finish

no comments. Comments (still): hasn’t this art been lost forever?

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