Bunnahabhain 1994 IM Dun Bheagan
| Category | SINGLE MALT |
| Distillery | Bunnahabhain |
| Bottler | Ian Macleod (IM) |
| Bottling Series | - |
| Vintage | 1994 |
| Bottled Year | 2005 |
| Age | 11년 |
| Cask Type | Manzanilla |
| Cask Number | - |
| Bottles Released | - |
| ABV | 46.0% |
| Volume | 700 ml |
| Label | - |
| Country | Scotland |
| Region | Islay |
Flavor Profile
Tasting Notes
Colour
pale gold
air Nose
hot and pungent at first nosing, almost burning. A few notes of apples and vanilla plus coffee do come through but otherwise, water is needed. Right, that works very well, as water brings out a rather huge meatiness (game) and rather splendid farmy aromas. Very wild, this Glenlivet - unusual
restaurant Palate
sweet and spirity, hugely fruity and liquoricy but again, water is needed. With water: not much development this time, maybe just a little pepper and, as usual, more tannins that were masked by the high alcohol
timer Finish
rather long, fruity and liquoricy like the 28 yo but not too complex this time. But what a beastly Glenlivet - especially at 30yo. 81 points . December 26, 2006 CONCERT REVIEW by Nick Morgan JARVIS COCKER The Roundhouse, Chalk Farm, London, December 16th 2006 Now here is a meeting of two venerable British rock institutions. The first is the Roundhouse – Victorian locomotive turning shed turned bonded warehouse (Gilbey’s used it for storing gin and Scotch whisky casks for many years) and latterly experimental theatre (I once spent a wonderful eight hours or so here watching Ken Campbell ’s Science Fiction Theatre of Liverpool perform the ‘reduced’ version of Illuminatus) and cutting edge music venue, only recently reopened after a massive and impressive refurbishment. The second is that not-so-young enfant terrible of Brit Pop, the hopelessly shambolic, bespectacled and brown-jacketed Jarvis Cocker , a national hero not just for Pulp ’s Different Class, but also for disrupting a grotesque music awards ceremony involving Michael Jackson (no, the other Michael Jackson) a few years ago. Yep, we all loved him for that. But like the Roundhouse Jarvis has been in the wilderness for a few years, he has become of the cultural glitterati on TV and radio, and more recently he’s been taking time out in his adopted home of lovely Paris with his lovely French wife and son, and fiddling around with numerous projects – including writing lyrics for Charlotte Gainsbourg and, of course, participating in this year’s Jean-Claude Vannier concert at the Barbican. But now just as the old Roundhouse opens its doors once more for a new generation of would-be North London hipsters, so Jarvis has bounced back with a top class new eponymous album (released by Rough Trade it’s been the number one selling independent album of the year) supported by long-time collaborator, guitarist Richard Hawley (who was mugged for this year’s Mercury Prize by wunderkinds the Artic Monkeys) and Pulp bass-player
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