Old Pulteney 1977 DT Peerless
| Category | SINGLE MALT |
| Distillery | Pulteney |
| Bottler | Duncan Taylor (DT) |
| Bottling Series | Peerless |
| Vintage | 1977 |
| Bottled Year | 2003 |
| Age | 29년 |
| Cask Type | Oak |
| Cask Number | - |
| Bottles Released | - |
| ABV | 55.9% |
| Volume | 700 ml |
| Label | - |
| Country | Scotland |
| Region | Highlands |
Flavor Profile
Tasting Notes
노즈에서는 짭조름한 바닷바람과 꿀, 흰후추의 향이 명확하게 드러난다. 1977년 증류된 올드 풀트니는 던컨 테일러 피어리스 보틀링으로, 29년을 보낸 노스 코스트 캐릭터의 짠맛과 우디 톤이 단단하게 결합한다. 팰럿은 토피, 마른 허브, 약한 미네랄이 발전한다. 55.9도의 알코올이 풀바디로 입을 채운다. 피니시는 짭조름한 미네랄과 가벼운 우드가 또렷이 깃들어 있다. 이 보틀링은 올드 풀트니의 코스탈 캐릭터를 잘 보여 준다.
AITasting Notes
Colour
amber
air Nose
much more sherry in this one – it’s probably from a sherry butt. So, we have old walnuts instead of fresh ones, hints of sulphur and rubber but nothing excessive, caramel, notes of rancio and huge whiffs of fresh parsley. Goes on with sultanas and crystallised oranges, flints, a little wood smoke and finally quite some grass (newly mown lawn). Not ultra-clean (the rubber) but much pleasant
restaurant Palate
soft, no rubber this time, just a nicely sherried attack on Corinth raisins, coffee, liquorice and caramel. Add to that Seville oranges and milk chocolate and you’ll have a pretty good picture. Also quite some chestnut honey (a strong one), notes of chocolate cake, black nougat… And a rather long finish on candy sugar and notes of dark rum. Simple but very good on the palate, even if HP’s character is somewhat dominated here. Good balance, nevertheless. 87 points. MUSIC – Recommended listening (blues): Mo Kauffey singing In the snow.mp3 . We had little snow here this winter, so this is aa compensation. Please buy Mo Kauffey's works. April 4, 2007 CONCERT REVIEW by Nick Morgan SEASICK STEVE The Borderline, London, March 25th, 2007 To be honest I wasn’t sure that going to see Seasick Steve , what seemed like only a few hours after walking the plank at a rumbustious Pirate Party, was necessarily a good idea. And as we groped our way down the narrow companionway into the rolling and pitching hold that doubles as the Borderline, my deepest fears were confirmed. The crowd is heaving – the gig sold out weeks ago. It’s unseasonably hot – and I’m beginning to regret taking the dawn watch. “Why do they call you Seasick Steve, Steve?” someone asked from the audience later. “Because I get sick on boats” was the laconic drawled answer. He ought to try standing where I am. Actually he does, making his way to the stage slowly through the dense crowd, playing sharp jarring riffs with his slide guitar, accepting the smiles and shoulder pats that accompany his deliberate process. Steve’s a hero – he jumped into the broad gaze of the British public when he upstaged a clutch of top-notch hipsters on Jools Holland’s New Year TV show (Lilly Allen, Amy Winehouse, Paul Weller etc.), but he’s also had some long-standing patronage from radio greats Charlie Gillet, Andy Kershaw and Joe Cushley, who’s partly responsible for this short (sold out) tour and who’s sweating his way through roadie d